"Diaz is a camera lens’ sweetheart: a laconic fusion of Audrey Hepburn and a young Conrad Veidt, she trumps Shelley Duvall’s Olive Oyl" Michael Atkinson, IFC (read more)
"The GoodTimesKid (Benten Films) — The boys at Benten Films absolutely crush it out of the park for the long overdue home video release of Azazel Jacobs’ enchanting second feature. A deadpan noir breakup comedy involving mistaken identities, The GoodTimesKid feels like it was shot in an earlier, more innocent time" Michael Tully, Hammer To Nail (read more)
"A film like 500 Days of Summer bends over backwards to convince you it takes place in a world where cultural totems of disaffection still mean something. The GoodTimesKid actually creates and takes place in such a world, without strain." Karina Longworth, SPOUT.com (read more)"Before there was Momma's Man there was The GoodTimesKid. In Azazel Jacobs's second feature you can see his style beginning to take form, meshing a punk-rock attitude with cinema influences as wide ranging from Chaplin to Jarmusch." Jason Guerrasio, Filmaker Magazine (read more)
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